Jennifer L. Bryan has collaborated with Vince Gilligan and his merry band of recurring cast and crew for years now. According to her, she wouldn’t have it any other way, missing the shorthand she has with them when she works
“Sweet Vitriol,” Severance Season 2 Episode 8, breaks curious new ground for the show: it is, as my partner-in-crime Sam noted, the first time that Severance put plot development above character. Until now, every extraordinary or outrageous or simply crazy
“Woe’s Hollow” is a challenging and disturbing meditation on lies and fidelity so rich you could gnaw it for sustenance by a campfire.
Severance fans need not worry: Season 2 is even better and more intriguing than the first.
At a time where it often feels like online discourse revolves around whether or not characters are moral, Amazon Prime’s Class of ‘07 says – quite loudly – “Fuck that; people are complicated.”
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