‘This Much We Know’ Is a Soulful Documentary (REVIEW)
Impeccably researched, honest, and raw in its ache, Henderson has crafted a gem of a paradox with her documentary, which at once honors and frustrates its form.
Lorelei Lee Still Confounds in ‘Gentlemen Prefer Blondes’
Lorelei is a flawed woman undeserving of the excoriating critique she has received.
‘The Hunger Games: The Ballad of Songbirds & Snakes’ Is a Promising Prequel (REVIEW)
The Hunger Games: The Ballad of Songbirds and Snakes makes it through as becoming one of the more memorable films of 2023.
‘Poor Things’ is Another Victim of the Male Gaze (REVIEW)
Popularly lauded as a feminist masterpiece, Poor Things is less like a manifesto and more like an elevated sex comedy.
‘Taylor Swift: The Eras Tour’ is a Pop Culture Milestone (REVIEW)
All in all, Taylor Swift: The Eras Tour is a cinematic milestone. There is a genuine joy to everything this tour stands for.
The ‘Mission: Impossible’ Films, Ranked
With the latest Mission: Impossible film now available for home viewing – and an eighth film soon to come – we at Screen Speck ranked the films of the enduring spy-action franchise.
A Road Trip of Mundane Dreams: The Transubstantiation of ‘Little Miss Sunshine’
I have grown up, I carry a neurodivergent variety of pain, and I fail at coping with reality many times, but the starry-eyed little girl with glasses lives on.
‘Oppenheimer’ Pays No Attention to the Scientists’ Victims: That’s the Point
Oppenheimer is a mirror to the men and moments we have had to survive.
‘Barbie’ Is Not the Wonderland We Were Promised (REVIEW)
Great Gerwig’s Barbie fails to dig deeper than the plastic molding of the doll, which seems like a missed opportunity.
A Moody & Sharp Satire From Larraín: ‘El Conde’ (REVIEW)
El Conde, while primarily driven by its dark humor, keeps in tension the twisted and menacing reality of what Chileans lived through at the hands of Pinochet.